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Cosa Bolle in Pentola?
The New Tuscan Vintages and Where they're Headed, Jota, a Cold Snap & More

Being the 78th issue of Cosa Bolle in Pentola, your Italian Cuisine newsletter.


Jota

Last week's feature was dedicated to Strudel, the classic Viennese pastry that's also quite popular in Friuli, a section of Italy that was under the Austrians for many years, and its variant, Strucolo, which is a dough rolled thicker than one rolls for strudel, spread with a topping that can be either sweet or savory, rolled up, and boiled; it's served as either first course or dessert.

In addition to strucolo, Friuli offers a number of other unusual dishes that simply don't exist outside the region. In the past I've mentioned brovada, pickled turnips, and when I was in Gorizia for Vigneto Friuli (a wine show) this fall I asked for local cuisine at a restaurant. The waitress sized me up, and then suggested Jota. "What is it?" I asked. "Bean and barley soup with sauerkraut," came the answer, and I tried it. The contrast between the sweetness of the beans and the sourness of the cabbage is extremely interesting, and the texture is pleasing; I liked it though it is a little odd if one is used to the simple pasta e fagioli made in Tuscany (see below for a recipe link). It also provides another example of how variable Italian cooking can be; Patrizia Stekar, who makes white wines at Castello di Spessa, which is also a pretty agriturismo, told me that Jota is originally from the Trieste area, where it's made with beans and sauerkraut. In Gorizia, a half hour's drive to the northwest, they add barley to the mix. In Cormons, about 10 minutes west of Gorizia, they use brovada rather than sauerkraut, and her husband says that in his hometown, just a few miles west of Cormons, it's completely unknown.

A recipe? Actually, a bit more. Cesare Fonda gives a very interesting discussion of Jota in Cucina Carsolina, his book on the cooking of the Karst plains, a region that's now in part Italy, and in part Slovenia. It is alas too long to include here, though you will find it on the site. We do have space for the recipes, however. He presents two; the basic one calls for:

  • A heaping cup of beans soaked in cold water for at least 6 hours
  • 2 cloves garlic, crushed and peeled
  • 3 tablespoons olive oil
  • 1 tablespoon minced onion (optional)
  • 1 tablespoon flour
  • 2 cups sauerkraut

Boil the beans in water with the garlic, salting them only after an hour. When they have become soft, sauté the flour until golden in the oil with the onion if you want it, and stir it into the beans. Remove and discard the garlic, stir in the sauerkraut, mix, simmer for 10 more minutes, and check seasoning.

That's it -- simple peasant food.

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For a richer modern jota, he calls for:

  • A tablespoon of rendered lard
  • A large clove of garlic, crushed and peeled
  • A chunk of smoked pork (rib, ear or tail)
  • 2 bay leaves
  • 1/2 pound dried borlotti (cranberry beans), soaked for at least 6 hours in cold water and drained
  • A scant cup pearl barley, soaked in cold water for a couple of hours and drained
  • Another tablespoon rendered lard
  • 1 tablespoon flour
  • 2 cups sauerkraut

Put the first tablespoon of lard in a pot and sauté the garlic in it. As soon as it colors, add 2 quarts of water, the beans, the bay leaves and the pork; season to taste with salt and add the barley after 45 minutes. When the beans are done, sauté the flour in the second tablespoon of lard until golden; stir it into the soup, add the sauerkraut, and mix well. Cook at a barest simmer for 10-15 more minutes, then remove the pot from the fire and check seasoning, adding a grating of fresh pepper as well.

One can obtain a richer soup by cooking pork with the beans rather than the smoked pork listed above. For example a ham bone, some pork shoulder but, or a thick slice of pancetta. Another way to enrich it is to cook either luganeghe or home-made sausages with the sauerkraut, and add them with the cabbage. In any case, this is a soup that's better warm than steaming, and improves with age, being better a day or two after it's made.

If you instead would like to make it with potatoes, keep in mind that it should be served straight off, rather than be made a day ahead. To make white jota, replace the beans with diced potatoes, and the bay leaves with a few celery leaves; add the cabbage immediately and simmer everything together 20-25 minutes, then check seasoning and give it a healthy grating of black pepper.

To make jota with potatoes, reduce the cabbage and barley by half (full ration beans) and stir in two diced potatoes when you add the sautéed flour mixture.

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Alessandro Molinari Pradelli instead gives a jota from Cormons, with brovada, Friuli's pickled turnip. To serve 6:

For the soup:
10 (250 g) ounces dried beans, soaked overnight
1 1/2 quarts (1.5 l) whole milk
1 1/2 quarts (1.5 l) water
2 ounces (50 g) fresh pork rinds
6 ounces (150 g) mashed cured lard (use fatty pancetta if need be)
A carrot
An onion, stuck with a clove
A bay leaf
Celery ribs
For the seasoning:
5 ounces (125 g) mashed smoked lard (or pancetta)
An onion, minced
10 ounces (250 g) brovada
3 cloves garlic, minced
3 leaves sage, minced
1 tablespoon minced parsley
1/4 cup unsalted butter
2 tablespoons flour
2 cups (1/2 l) dry white wine
1/2 pound (225 g) cornmeal
1/2 teaspoon ground cumin
Salt

Drain the beans and put them in a large pot with the water, milk, lard, pork rinds, carrot, onion, and celery. Bring to a boil, cover, and simmer for a couple of hours. Remember to salt the beans just before you turn off the flame.

While they're cooking, heat the butter in a second pot and stir in the flour, and as soon as it begins to color add the brovada, sprinkle it with the cumin, add the wine and a cup of water, and simmer the mixture for an hour or even more.

Reheat the beans, and as soon as they're warm add the brovada and sift in the cornmeal while stirring constantly. Don't let it cook for more that 20 minutes, or it would thicken too much. While it's cooking, sauté the remaining ingredients in a small pot, then stir them into the brovada and bring it to the table.

A wine to serve with these? Ribolla Gialla, a Friulian white, goes quite well.

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Capuzi Garbi

Now all we need is a recipe for the capuzi garbi, or sauerkraut. Mr. Fontana notes that though one normally associates pickled cabbage with Germany, it's also common in a great swath that extends across Friuli and down into the Balkans. His instructions:

  • 2 1/4 pounds (1 k) sauerkraut (commercially prepared will do)
  • A heaping tablespoon rendered lard
  • 1 tablespoon minced onion or 2 cloves garlic, minced, or both
  • 1 tablespoon flour
  • Salt and pepper
  • A splash of white wine (optional)

Rinse the sauerkraut, squeeze out excess moisture, put them in a pot, and add just enough unsalted water to cover, and then simmer them for about 20 minutes. In another pot sauté the onion or garlic and flour in the fat, and when they have colored add the sauerkraut, draining it well. Salt lightly, give a healthy grating of pepper, and simmer for a couple of hours, covered, stirring often and adding water as need be to keep them from drying out. When they're a pretty amber they're ready.

Mr. Pradelli instead tells how to prepare capuzi garbi from scratch. You'll need:

  • Savoy cabbage
  • Juniper berries
  • Coriander seeds
  • Coarse sea salt or kosher salt

Thinly slice the cabbage and put the slices in a ceramic jar or barrel, salting the layers and sprinkling them with coriander seeds and juniper berries 9go easy on the latter because they're flavorful0. When all is used up put a wooden disk over them, set a weight on it, and let the cabbage sit for a month, during which time they will ferment.

What to do with capuzi garbi other than jota? Here's an idea that goes quite well with roasts or boiled meats:

  • 2 1/4 pounds (1 k) sauerkraut
  • A ham bone, fresh or smoked
  • A bay leaf
  • 1/3 cup olive oil
  • An onion, minced
  • 1 heaping tablespoon flour
  • Salt and pepper

Rinse the cabbage and put it in a pot with the bone and the bay leaf, adding cold water to cover, and bring the mixture to a simmer. In the meantime, sauté the onion in the oil, and as soon as it wilts stir in the flour; stir the mixture until it browns. Drain the sauerkraut, stir it into the flour and onion mixture, check seasoning, and serve.

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Assuntina's Acquacotta

Moving in a different culinary direction, I recently spotlighted a Tuscan recipe for acquacotta, literally cooked water, the hearty peasant soup that farmhands would eat while out in the fields in the Maremma, a wild section of Tuscany southwest of Siena that extends to the coast and down into Lazio as well. It's one of those recipes with a great many variations, and Assuntina, who runs Monti della Tolfa, a neat agriturismo on a beautiful estate south of Rome that offers all sorts of activities, kindly shared her recipe:

  • 100 grams [4 ounces] of pork fat or pancetta
  • 1 large onion
  • 1 dried chili pepper
  • 1 tumbler of olive oil [about 2/3 cup]
  • Seasonal vegetables (Swiss chard, cabbage, spinach, peas, broad beans, carrots, potatoes, courgettes [zucchini])
  • 2-3 cloves of garlic
  • Slices of bread

Chop the pork fat very finely, dice all the vegetables, crush the garlic.

Put the pork fat, olive oil, onion, garlic and chili in a large pot and cook over a medium flame till the onions are cooked. Then add all the vegetables and about a litre of water. Bring to boil and then simmer till vegetables are cooked (approx 30 minutes).

Variation: Once the soup is nearly cooked, crack an egg over it and allow the egg to cook.

To serve, place 2-3 day old bread in bottom of your soup bowls and ladle the soup over them. You can also add a splash of olive oil and more chili to taste.

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Tuscan Vintages: Where are we headed?

And abandoning food altogether, last week I attended the presentations of the latest vintages of Chianti Classico, Vino Nobile di Montepulciano, and Brunello di Montalcino. Quite interesting, especially the first morning, during which the Chianti Classico Consorzio presented barrel samples of the 2,000 vintage to give journalists an idea of what the future might hold. I say might because barrel samples as a whole are merely indicative of a wine's potential (the bouquet develops in the reducing environment of the bottle, where the wine also, ideally, gains elegance and balance with time), and this is especially true if the wine is newly fermented and is only just beginning its time in wood. Therefore the wines themselves weren't that interesting as other than curiosities, but the selection of wines presented was. The rules of Chianti Classico production were recently modified to allow an increased use of foreign varietals such as Cabernet, Merlot, or Syrah (from 15 to 20%) because many producers like to include these grapes in their wines to give them a more international feel. This year, all but one of the wines presented were made entirely from local grapes -- many 100% Sangiovese (Tuscany's great red grape), and some with Canaiuolo, the grape Bettino Ricasoli used to tame Sangiovese when he developed the formula for Chianti in the mid-1800s, or with other almost forgotten complementary grapes that people used in the past to add color or grace, for example Colorino (which gives color). And we were told that there's a push to reduce the use of oak in aging, because excessive wood overpowers the nuances of the grapes.

Granted, we only tasted a dozen samples, but if the Consorzio adopts this strategy and begins working behind the scenes to persuade producers to make their Chianti Classico only from local grapes while putting their Cabernet, Merlot, and whatever else into Supertuscan table wines, this will be tremendously beneficial in the long run. Why? Because Sangiovese is a temperamental grape, and though it has been planted elsewhere with satisfactory results, to date it has only done _really_ well in central Italy; a good traditional Chianti Classico made from Sangiovese and other local grapes is unique and can't be copied by Sangiovese producers in other parts of the world whose lower production costs would allow them to undersell Chianti producers. A heavily oaked Cabernet-laden Chianti Classico is much less distinctive, and could consequently be copied fairly easily. Considering the globalization of the wine world, having something unique will mean the difference between success and failure.

The Nobile di Montepulciano presentation was pleasant, with interesting wines, though fewer considerations to be made. The vintage is 1998, which is frankly inferior to 1997; taken as a whole the wines are lighter, with less fruit and less concentration. Why buy them, when one can still find 97s, and the 99 vintage, which is better than the 98, will be with us in a year's time? Because, to the contrary of great vintages, which have enough body, structure, fruit, and concentration that one has to plan the menu with them in mind lest they overpower the food (assuming the vintage isn't so great that one decides to enjoy the wine far from the distractions of the table, which is why great wines are also called "meditation wines"), lesser vintages are adaptable and approachable; if I were having a nice meatloaf or grilling a chicken I wouldn't hesitate to break out a 98 Vino Nobile, but I'd think twice about opening a 97. With it, I'd want something more, say a Fiorentina (a porterhouse steak, grilled over the coals and rare), or perhaps a roast leg of lamb. Assuming I didn't decide to meditate over it with friends.

The Brunello di Montepulciano was the 96 vintage, and it again invites some considerations: It will likely be the last of its kind. Why? Because they've changed the rules; up until 1998 Brunello had to spend 4 years in oak barrels or casks before it could be bottled, and though this helped great vintages mature, it was too much for lesser vintages -- too much time in wood tends to dry out the fruit, producing a rather strident wine that feels thin and overly tannic. There are of course producers who manage to shine even in the face of adversity, and some others fleshed out their wines by adding some of the 1997 vintage to them (this is allowed), but for many Brunello producers 1996 was a decidedly lesser year. With 1997, which was a great vintage, four years in oak won't be a problem, and beginning with the 98 vintage the wood requirement will be a minimum of two years, after which the producer can bottle the wine (total aging time is still 4 years). Lesser vintages will still be lighter than the great vintages, but with luck they won't have that stridency to them. What about the 99 Rosso di Montalcino (Brunello's little brother)? Quite nice, and augurs well for the 99 Brunello vintage.


A Cold Snap

Winding down, a couple of quick things. First of all, up until last week we had been in the grips of spring, with daffodils and crocuses coming up and all the flowering trees in bloom; the meteorologists and climatologists were all saying that the calendar had skipped ahead a month, and people were putting away their winter coats. This week, however, winter came rumbling back, putting all of central and northern Italy under a thick layer of snow. Highway transportation has ground to a halt (in part because Southern France has also been hit), and though today the skies are clear in Florence, more is forecast for tomorrow. No news yet about damage to agriculture, but with the trees already in bloom there will certainly be some effects.


Ecstacy is not Ecstatic

And finally, I've occasionally commented on drug legalization/decriminalization in the past, and been told to stick to food. Well, this week's case report in the New England Journal of Medicine discusses a 17 year old girl hospitalized for jaundice and progressive liver dysfunction; after ruling out the obvious things such as hepatitis and deciding that her episodes of binge drinking (in a 17 year old -- where were her parents?) were insufficient to explain the problem, they sat her down and asked her what else she was doing. Turns out she was taking ecstasy (a designer drug common in discos, at least in Italy) on a regular basis; one of the drug's possible side effects is fulminant liver disease of a kind that can precipitate suddenly, with the options being a transplant or a funeral. She has, they say, stopped taking the drug and thanks to the treatments does feel better, but she's not out of the woods and may never be. At age 17. Something to think about, and yet another reason to stay away from ecstasy.


This week's proverb is Ligurian: Travaggiae mentre o potron dorme, che gh'aviei do gran per voî, e da vendighe a lê. Work while the sluggard sleeps; you'll have enough grain to meet your own needs and sell to him.

A presto,
Kyle Phillips
Webweaver, About Italian Cuisine

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